Wednesday, July 25, 2007

2007 Summer Insitute Writing Marathon

Today I joined a mini-writing marathon for the new fellows participating in the Invitational Summer Insitute hosted by the National Writing Project (NWP) at Rutgers University. The writing marathon is based on a journal exercise described by author Natalie Goldberg in her book Writing Down the Bones. In this book, Goldberg suggests how to approach the marathon:
Everyone in the group agrees to commit himself or herself for the full time. Then we make up a schedule. For example, a ten-minute writing session, another ten-minute session, a fifteen-minute session, two twenty-minute sessions, and then we finish with a half-hour round of writing. So for the first session, we all write for ten minutes and then go around the room and read what we’ve written with no comments by anyone. . . . A pause naturally happens after each reader, but we do not say “That was great” or even “I know what you mean.” There is no good or bad, no praise or criticism. We read what we have written and go on to the next person. . . . What usually happens is you stop thinking: you write; you become less and less self-conscious. Everyone is in the same boat, and because no comments are made, you feel freer and freer to write anything you want. (150)
The purpose of writing marathon mesh's with the NWP's main philosophy that teachers of writing should practice what they teach. The marathon offers a writing experience unfettered by genre, style, prompt, etc. It's actually quite relieving to get out of a computer lab or classroom and just write. Richard Louth describes how the marathon was put to use at their local NWP site in the article The New Orleans Writing Marathon. Louth gives additional advice:
  • If you go into a restaurant or bar, be sure to order something.
  • If anyone asks, tell them you are a writer.
  • Keep in mind that you are doing this for yourself and for nobody else.
The design for the 2007 NWP Rutgers Invitational Summer Institute drew on these two sources. Older teacher consultants joined the new summer fellows, and naturally subdivided into groups of three to five participants. Each group was set free to roam the campus and surrounding areas, with an established rendezvous place and time.

My group set out from the Graduate School of Education, down Voorhees Mall, towards the Old Queens campus; our first stop was Kirkpatrick Chapel. We spent 15 minutes writing inside the chapel, and shared outside on the lawn. The group made way past the lawn, and directly to the train station across the street. We uncomfortably crammed into an elevator up to the train platform. It smelled of urine, baked by the summer's heat-- that made for good writing fodder. We only spent 10 minutes writing at the station, and then shared at Marita's Cantina over nachos (a marathon isn't complete without food and drink). Court's Tavern made for a good final stop on our writing marathon. We wrote for a full 30 minutes, and shared our writing over a beer.

2007wmisi tagged map - Tagzania

Kirkpatrick Chapel- 15 minutes

“What does it mean to have faith in God,” he asked, not expecting an answer in return. “The geographical history of the earth. Big bang. Continents shifting. Evolution. Movements of culture across continents, diverging and rejoining. Thanks to science and history, we already have the answers. There is no mystery anymore—just scientific proof.”

“I don’t know…” she started.

“Of course you don’t. Religion doesn’t prove something…”

“I don’t know. I mean to say, I want to believe in something more than here and now. I need to believe there is meaning in my life. That I was born for a reason, to serve a greater good. Your born. You live. You die. But what for? Religion gives me that answer. There is something beyond the scientific mechanics. There is beauty in what we don’t know.”


Train Station- 10 minutes

The subway station smelled of urinal cakes, smoldering cigarette butts, burnt coffee. Not the place you’d imagine for a romantic tryst. Dimly lit. The overhead fluorescent tubes flickered in and out of tempo. Water drip, drip, dripped deep within the bowels of the tunnel. But she insisted on meeting halfway. That was their relationship, always meeting halfway. The tunnel was alive with a beat of it’s own, so distant, yet unmistakable. Growing in timber, like a crescendo of timpani drums. His heart picked up. Rhythm, like the chugging sounds of the engine that would bring her back to him.

Court Tavern – 25 minutes

“Hey Jersey, you gonna ride?” That wasn’t a question. That was a statement veiled as a question, veiled as a test to my masculinity.

“What’s it to ya Texas?” I chided back.

At first, he rode the pause in conversation. Lingering long enough where I became slightly uncomfortable. Then he grinned at me with his eyes and slammed down a shot of whiskey.

“Do you have what it takes to prove that you have some nads city boy.” He spoke soft, yet firm. Overemphasizing city, like it was some kind of derogatory term. Maybe it was around these parts.

Dear God, it’s times like this I wish I was witty. I’m blessed to have a quick mind—though there isn’t any synaptic response between my thoughts and words. My tongue bumbled around with a few syllables. I stuttered, sucking down the air of silence. You know, someone should write a dictionary of wit-isms for times like this. A pocket reference for all the right things to say in times like this. That’s the moment I decided that actions must speak louder than words, and gave my nod to Texas.

“So, what’s it going to be,” he asked.

I pushed the stool outward, with the back of my legs, and stood from the bar. At first it took will to place one foot in front of the other. But something deep inside me disconnected from the situation. It was at that moment that I felt outside of myself, like I was watching a sitcom on TV where I also happened to be the main character of the episode. Something deep within me took over- I think they call it testosterone, and my body moved on autopilot.

Big Texas took pleasure at all of this, and guffawed as I made my way toward the mechanical bull. He shouted “Look at Jersey go!” in a sing-song sort of way. “Go Jersey go!” Cheering me onward, drawing a large audience to watch the debacle.

I’m Jersey. I’m suburban. I push a lawn mower for sport. What did I know about riding a mechanical bull? I knew well enough that I didn’t know. There was no faking experience or skill. I’d ride this blanged contraption out of sheer determination. That should show Big Texas I had the balls.


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Monday, August 15, 2005

The Feeling of It

I don't think of myself as much of a poet, although inspired by my cohorts in the National Writing Project at Rutgers U to write more poetry. I've attended the Geraldine R. Dodge Poetry Festival, participated in several writing marathons, always trying to gain a better appreciation for reading / writing. I have even constructed a Poet Tree in my classroom. Might sound campy, but I am most inspired by my students' poetry. Now I am looking at the craft of songwriting- poetry set to music. No guarantee that it will be of much worth, but I'll keep trying.

I wrote "The Feeling of It" during the NWP's Invitational Summer Institute a few years back. Actually this was my first attempt at poetry since high school. I was inspired to write a sestina, a very complex form poem, after having read Neil Gaimans "Vampire Sestina" in his collection titled "Angels and Visitations". James Baldwin's short "Sonny's Blues" also came to mind. This story has one of the best descriptions of the affect and communication shared between improvisational musicians in all of the literature I have ever encountered. The content came from a very moving experience at It, possibly one of the best Phish festivals outside of the Clifford Ball. I wanted to fuse: the complexity of a sestina; Baldwin's comprehension of music, and his power to communicate those ideas; with my own personal perspective on the Phish experience. The poem doesn't do justice for those not in the know, but might get a few head nods from those that share similar experiences. Therefore my audience is rather limited.

Today I post this poem in memorandum / celebration of Coventry- Phish's announced farewell party one year ago. That weekend is gone, but remains fresh in my memory.



The Feeling of “IT”

Bathed in golden locks of light
with no sense and loyalty of time
the intangible gap between space
and the subtle sounds of music
inspired the congregation to dance
as a celebration of the soul

It is the language of the soul
to converge, converse, shed light
upon movement, with sound dance
-ing a frantic rhythm within tempo; time
gauged only by measures of music
and kinesthetic space

Many individuals confined within a space
moved by funk, by jazz, by spirit, by soul-
shaking, pulsating, worshipping music
bringing them together toward a new light
a new time
within the communion of the dance

The musicians lead the crowd along, fingers dance
-ing tirelessly upon instruments; hollow space
reverberated guitar strings, snare drum snaped out time,
as bass sauntered beneath, piano rolls ringing out soul;
puffs of smoke rose showered in light
as the audience bathed in warm washes of music

A struggle of harmony and cacophony; a music-
al phrase called, answered, revisited, reinvented; a dance
of notes interweaving, improvising, imposing light
and order; then swept away into space
of frantic chaos- doubted, questioned, soul
searched, renewed, reiterated, then brought back to time

Band and crowd reciprocating pure energy; this time
invigorated by the exchange music
free to explore the uncharted depths of the soul
navigated by the dance;
what was once an empty space
now radiated with life, warmth, sound, light

Like a thousand sparks of light set free of time
and transcended space; set forth the music,
inspired the dance, and intensified the soul

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