Friday, December 30, 2005

Chocolate and Cheese: A Phattening of My Soul

December here in Jersey was cold- damn cold. Not that San Francisco, it's 40 degrees, but wet and chilly as the wind whips off the bay. No. This was an all out freeze. You know its cold when your lungs are stabbed with ice-pick breaths, or your eyes tear by the harshness, and then freeze half-way out of the tear duct. So cold that my toes numb between my doorstep and the car. The weatherman says that the temperature is exceptionally low for this time of year.

I refuse to run in weather like this. To me, running is about relaxation (believe it or not), and the achievement of good health. In conditions like this past month, it is easy to take a spill on the all but invisible black ice. The ground is frozen solid; unforgiving to the cadence of heavy footfalls. Heavy breathing is painful, and sweating in freezing conditions brings its own set of problems (not that I've ever frozen a body part). Nah, it's better not to run, or at least that's what I tell myself.

I call it periodization- the idea that the year is subdivided into smaller goals: flexibility, strengthening, endurance, speed, maintaining, and rest. Yup, rest is an important part of the running cycle. Come thaw, my spirit and body will be renewed to run. Good to prevent burnout.

In the meantime I've gained about five pounds since my last run in November. Anyone else might flip out- I see it as a good thing: a biological clock of sorts that we should feel more sedated, and pack on the pounds for the heavy winter months. Consider it the hibernation reflex, our biological response to the ebb and flow of the seasons.

My winter break falls between Christmas and New Years. Being a middle school teacher, the kids give me tons of mugs, Barnes and Nobles gift certificates, home baked cookies, and chocolates of all sorts. There is enough junk food to sustain me for this week. I am living the slacker lifestyle: hours on the couch watching TV, playing video games, eating chocolate and cheese.

Sunday, December 18, 2005

We Have it Simple, Because We Have a Band. . .

It was warming to be welcomed into friends’ house for their family holiday party; this was a rich mix of both family and friends gathered together to sing Christmas carols around the neighborhood. Afterwards there was a warm reception of food and drink back at the house. As the evening waned, senior family members, children, and their parents began to head homeward.

Later, the festivities are kicked up a notch- shots are poured, the stereo turned up, conversation less filtered. The evening quickly was transformed from family goodness to a party reminiscent of college fun. This year a decision was made to have a late night “open mic” style jam. The idea was knocked around for quite some time, but this year everything came together.

In preparation, I asked one of my good friends to bring his drum kit along with him; I had packed my guitar, handful of stomp boxes, and my newly acquired Hughes and Kettner amp. Even before the events started, the standard was set to have the jam with complete band. Acoustic guitars were reshelved for the time being; a Telecaster and Fender amp were rolled out. One of the partygoers ran home to grab his amp. Sure enough our makeshift band was formed, later to be joined by harmonica and banjo.

Without song or set list in preparation, no expectations set nor word between the four of us, I strummed the first chord. Drums filled, giving my chord a chronology as those notes were replaced with the next chord. The bass came in low and resounding, like a foundation that could hold up the chord work. Another chord, and now a progression- the blueprint of our jam- was laid. Our musical conversation began to elaborate upon itself; the drums and bass began to fill their spaces with more intricate work. Then it really happened. The Telecaster came out on top and made a rich musical statement to which we all responded. There was now purpose for our music, and the lead guitar began to tell its story, interweaving elements of other stories.

“Jack-a-Roe” melded into a blazing rendition of the “Ants Go Marching”. “Franklin’s Tower” found its way, as meandered as it could, into a version of “Tequila” that was never heard before, most likely will never be heard from again. Lou Reed’s “Rock and Roll” balanced a fine line between modern indie rock and 50s’ rockabilly. In addition to some classics we all knew, basic I, IV, V progressions, I laid down some chord work that none of the others had previously encountered. I borrowed from Mauger / Conroy Collaborative songwriting sessions to provide for tonight.

These were my songs, as I interpreted them from Mauger’s lyrics, now turned in upon itself, and reinterpreted by these musicians. They have never heard of Mauger, nor his lyrics, yet they could make sense of it all. I heard the songs again, for the first time as they were made fit for jamming. This gives me confidence that there is real music to be made out of this material, notes and phrasing beyond what I have already crafted. These songs are ready to flower into powerful material, ready for the full band experience.

At some points we had the audience up dancing, at others bringing us shots and beer. We played without sense of time or space, well into early morning. Our work was a one shot deal, leaving no trace of the musical path we blazed. Empty bottles were all that stood in testament of the night. Sure, a few pictures were snapped, and, perhaps, someone took a video snippet with their cell phone, but the notes dissipated into vibrations of air from which they were born.

Tuesday, December 13, 2005

.o0o. ( ( NEEDED: MUSICIANS FOR NEWLY FORMING BAND! ) ) .o0o.

It was one of those mornings where I woke up a full hour before the alarm clock. I was dead awake, as if it was the middle of the day instead of five in the morning. No use in fighting my alertness back into sleepy submission; my day had an early start. Guess I needed something to do for an hour, so I wrote another classified ad taking past considerations to revise our previous posting.
Currently we are a songwriting duo (singer / lyricist & rhythm
guitar) looking to take our show on the road. We have about a dozen ORIGINAL
songs written, 3/4th's of which are solid, and the other just need to be worked
through with a full band. Not opposed to playing a few covers on the side as
well, but this is an ORIGINALS project. Plan to record an EP in Jan., Feb.,
(sorry, don't have any MP3's at the moment), and then play out in local venues.
Looking for: drums, bass, guitar, piano, electic violin, etc. We are in this for
the fun and love of music. Our "sound" fits that wide, wide range of alternative
/ indie rock, though leans towards Jeff Buckley's edgier material. Our listening
influences are as wide as David Dye's CD collection (well, if that is possible).
Smart chord changes, well written lyrics, vocals delivered from the heart,
played with dynamics. This project is an ideal situation for someone looking to
work with original material, be an essential member of a starting band, and
looking to play out in the near future. Transportation and equipment is a
must!
Nothing falsified, though definetly embellished. I figured this was an advertising venture: certainly there are plenty of bands out there, so why would people want to play for us? At least that was my perspective. If you don't advocate for yourself, then who else in this world will?

Well, by midday there were three responses waited my reply; by early evening the number had doubled, and then some! Amazing. Simply amazing. The ad had received more notice in several hours than previous ads had received in several weeks. Most people mentioned the phrase "for the love of music" as having caught their eye. I mean every word of that, and hope to find like minded musicians.

If I have to this music to my living room walls for the next ten years, so be it. But I would rather get this music out there on the off-hand chance that someone other than myself will appreciate this music as much as I do. Until then, I'll keep pressing onward.

Thursday, December 01, 2005

Favorite Radio Program Ever

Caroline and I met in early October of 1995 (just in time for the second most epic Phish tours ever- Dec. 1995, second only to fall run 1997). At that time, I was attending Caldwell College, which wasn't a far drive from the Wetlands, our hangout in NYC. Our love trysts consisted of travels down routes 46 and 23. Willowbrook mall was our middleground. At most, we had to drive 20 minutes to be with one another. Those were the days.

There was only so much I could take another year of Catholic school, after all, I attended since K-14th grade. I had enough dogma to last me a lifetime, and thus I transfered to the liberal atmosphere of Rutgers University. Caroline would spend the weekend, every weekend, starting on Thursday, with me. In fact, most Rutgers students thought that she attended Rutgers, when in fact she was enrolled in William Paterson University. She was willing and ready to make the hour treks down to Livingston College. I believe that she has amassed nearly $200 worth of parking tickets with Rutgers Parking Service.

Fast forward another two and a half years. I moved back home for the twixter lifestyle with my parents as I floundered in temp work long enough to figure out the cubicle lifestyle just wasn't for me. Take another year for substitute teaching as I earned my elementary education certificate from Rutgers Camden. Two RU campuses down, Newark to go!

Now Caroline and I were separated by 130 miles, and well over a two and a half-hour drive. We would alternate weekend- one up for me, one down for her. On the way up, I would listen to 88.5 WXPN for as long as the signal lasted. Typically, WRSU would cut into the broadcast signal through the New Brunswick / Edison areas through route 287. Believe it or not, WXPN would cut back into fade. Somewhere around Morristown, around 6 or 7'ish, I would tune into WFMU for Chris T's radio program Arial View.

Characterize the program as your atypical talkshow. People dial into the program to add nonsequitor banter. Unlike most talkshows where the host will keep the caller online for a 30-second spot, Chris T would often keep callers online for extended periods of time. It wouldn't be uncommon for two or three callers to be dialed in at one time, all talking with one another. Listening to the opening "theme song" as it completely characterizes what is to follow.

Sadly, the radio program went off the air due to Chris T taking a job with new hours. Thankfully some of the programs were saved, and are now offered through podcast or audio streaming. You have to hear it for yourself. Check out:


Seriously, I listen to lots of radio. I am a self-proclaimed radio hog. This is my favorite radio show ever. Take that for what you will.